Maryorama
The endless delight of the Victorian card game called Myriorama, where a few cards of scenery join at the edges to create a thousand different landscapes, now has a video interpretation. The Maryorama (formerly “Russellscape") literally brings the LRK community together, with fan images from the Memoirs make a visual record of the travels of Russell & Holmes.
Please join us! Directions and the frame for your piece are found here.
Jean Lukens “The Beekeeper’s Apprentice”. Pen and ink and colored pencil
Bret Herholz “Two Shabby Figures” (based on The Beekeeper’s Apprentice). Pen and ink and photoshop
Sabrina Flynn, from Dreaming Spies. DigitalCollage based on 1800-1900 Japanese artwork.
Jane S. from Locked Rooms chapter 2. Colored pencil.
Heather Neill “The Beecharmer” (based on an original oil painting by the artist)
Sara McClelland “Away” based on O Jerusalem (Church of the Holy Sepulchre), The Game (a palace in India), and Locked Rooms (The St Francis Hotel, San Francisco.) Pencil, colored pencil, crayon
Sara McClelland “Home” (based on The Beekeeper’s Apprentice). Pencil, colored pencil, crayon
Canzonett Canzone “Russell mapping the world” (O Jerusalem, chapter 2). Crayon, ink, pencil
Charlotte Cooper“Coming into Jerusalem” (O Jerusalem); watercolor pencil and ink.
Laurie R. King “Nakasendo Road from Dreaming Spies”; Hokusai art collage
Rori Shapiro Based on The Beekeeper’s Apprentice; guache
Wanda Kalgren (Bachi) Mary Russell, expert knife thrower (based on The Beekeeper’s Apprentice and O Jerusalem); Photoshop, markers and Slick Stix.
Bill Edwards Based on The Beekeeper’s Apprentice, Ch. 6; Corel Painter Essentials 4.
Molly Armstrong Based on The Beekeeper’s Apprentice, Chapter 6; pencil and digital media.
Sara McClelland, from Dreaming Spies, in colored pencil
Kerry Kilburn Based on The Beekeeper’s Apprentice; ink, crayon, colored pencil.
Kerry Kilburn Based on Locked Rooms; ink, crayon, colored pencil.
Sara McClelland Language of Bees Based on images provided on website for The Language of Bees; colored pencil.
Canzonett, Dreaming Spies; Mixed Media
Cheryl Wolder, from opening scene of Dreaming Spies; colored pencils and black ink
Anne Messmer, from Dreaming Spies; oil pastels
Melissa Coutiño, from chapter 1 of Beekeeper’s Apprentice; digital painting
Linda Hay, from Dreaming Spies; acrylic paint and watercolor pencils
Sandy Brewster, from chapter 1 of Beekeeper’s Apprentice; colored pencils
Charlotte Cooper “The Bee’s Eye View” Encaustic (beeswax, resin, and pigment)
Irene Pitcairn Locked Rooms, Chapter 2 & 3 — Judith after the quake Digital painting — GIMP
Sara McClelland Lake District, God of the Hive Colored pencil
Bonnie Gladys The Language of Bees, Chapter 8; Russell reading Holmes’ magnum opus Permanent Marker & Colored pencil
Olivia Moriah The God of the Hive, Chapter 1 Coloured Pencils and Markers
Joyce Weiner The Language of Bees, Chapter 47 Pencil/colored pencil
Bill Edwards The God of the Hive, Chapter 1; The Language of Bees, Chapters 42-3 Corel Painter Essentials 4
Mike Savage, www.sav-art.com Acrylic on Bristol board
Navarre The Language of Bees, Prismacolor Pencils
Katy Accetta The Language of Bees (chapters 10 & 12) Ink & colored pencils
