Maryorama

The endless delight of the Victorian card game called Myriorama, where a few cards of scenery join at the edges to create a thousand different landscapes, now has a video interpretation. The Maryorama (formerly “Russellscape”) literally brings the LRK community together, with fan images from the Memoirs make a visual record of the travels of Russell & Holmes.

Please join us! Directions and the frame for your piece are found here.

: Jean Lukens “The Beekeeper’s Apprentice”. Pen and ink and colored pencil

: Bret Herholz “Two Shabby Figures” (based on The Beekeeper’s Apprentice). Pen and ink and photoshop

: Sabrina Flynn, from Dreaming Spies. DigitalCollage based on 1800-1900 Japanese artwork.

: Jane S. from Locked Rooms chapter 2. Colored pencil.

: Heather Neill “The Beecharmer” (based on an original oil painting by the artist)

: Sara McClelland “Away” based on O Jerusalem (Church of the Holy Sepulchre), The Game (a palace in India), and Locked Rooms (The St Francis Hotel, San Francisco.) Pencil, colored pencil, crayon

: Sara McClelland “Home” (based on The Beekeeper’s Apprentice). Pencil, colored pencil, crayon

: Canzonett Canzone “Russell mapping the world” (O Jerusalem, chapter 2). Crayon, ink, pencil

: Charlotte Cooper“Coming into Jerusalem” (O Jerusalem); watercolor pencil and ink.

: Laurie R. King “Nakasendo Road from Dreaming Spies”; Hokusai art collage

: Rori Shapiro Based on The Beekeeper’s Apprentice; guache

: Wanda Kalgren (Bachi) Mary Russell, expert knife thrower (based on The Beekeeper’s Apprentice and O Jerusalem); Photoshop, markers and Slick Stix.

: Bill Edwards Based on The Beekeeper’s Apprentice, Ch. 6; Corel Painter Essentials 4.

: Molly Armstrong Based on The Beekeeper’s Apprentice, Chapter 6; pencil and digital media.

: Sara McClelland, from Dreaming Spies, in colored pencil

: Kerry Kilburn Based on The Beekeeper’s Apprentice; ink, crayon, colored pencil.

: Kerry Kilburn Based on Locked Rooms; ink, crayon, colored pencil.

: Sara McClelland Language of Bees Based on images provided on website for The Language of Bees; colored pencil.

: Canzonett, Dreaming Spies; Mixed Media

: Cheryl Wolder, from opening scene of Dreaming Spies; colored pencils and black ink

: Anne Messmer, from Dreaming Spies; oil pastels

: Melissa Coutiño, from chapter 1 of Beekeeper’s Apprentice; digital painting

: Linda Hay, from Dreaming Spies; acrylic paint and watercolor pencils

: Sandy Brewster, from chapter 1 of Beekeeper’s Apprentice; colored pencils

: Charlotte Cooper “The Bee’s Eye View” Encaustic (beeswax, resin, and pigment)

: Irene Pitcairn Locked Rooms, Chapter 2 & 3 — Judith after the quake Digital painting — GIMP

: Sara McClelland Lake District, God of the Hive Colored pencil

: Bonnie Gladys The Language of Bees, Chapter 8; Russell reading Holmes’ magnum opus Permanent Marker & Colored pencil

: Olivia Moriah The God of the Hive, Chapter 1 Coloured Pencils and Markers

: Joyce Weiner The Language of Bees, Chapter 47 Pencil/colored pencil

: Bill Edwards The God of the Hive, Chapter 1; The Language of Bees, Chapters 42-3 Corel Painter Essentials 4

: Mike Savage, www.sav-art.com Acrylic on Bristol board

: Navarre The Language of Bees, Prismacolor Pencils

: Katy Accetta The Language of Bees (chapters 10 & 12) Ink & colored pencils